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MH-238 Clue To Kalo - One Way, It's Every Way  Written and recorded in Adelaide, Australia during a two-year period of great personal change, and finished on a four-month adventure in Brooklyn, USA, One Way, It's Every Way is Mark Mitchell's second record as Clue To Kalo. Designed as a musical palindrome, the album is an unabashedly ambitious, surprisingly celebratory meditation on death. Instrumental contributions from old and new friends, as well as elements of classic folk, lo-fi rock, and bedroom electronica, are all taken out of context and remade as a ten track set thick with overloaded melodies, multi-part harmonies, and literate language. One Way, It's Every Way is a stunning development for Clue To Kalo both musically and lyrically. |
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| Reviews Summary |
| A serious contender for 2005's best record - Scissorkick / Extraordinarily unassuming, gorgeous release - Stylus / A master of counterintuitive pop arrangements - Chord / Will pull at your heartstrings and carry you back to nostalgic places in the best of ways - Metro.Pop |
| Reviews | |
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| Once the languid beats and innocent twilight melodies of Mark Mitchell's (aka Clue To Kalo) spacious oddity of an album hits the fourth track, you begin to realize a certain cohesion to this eccentric electronic work. Vocals are sparse within a copious field of quirky bleeps, calming drones and soft-beat persuasion. By the midway point, you also assume that Mitchell has taken a cue from such mellow, psyched-out experimenters as Boards of Canada, Matmos and Greg Davis. Although much of the tranquilized rhythms are reminiscent of IDM's past, Mitchell proves that a few synths and some software can go a long way in the musical mainframe, especially when there is a trance-inducing soul lying underneath the miasma of sound. With the title, and more importantly the music, it's almost as if Clue To Kalo can gauge an oncoming dream-state from the listener. Why not just give in to it, then? - Ink 19 |
1XLP/Out Of Print